Academic Research · Regency Era · Stays/Corsets · Thesis: Regency Dressmaking · Undergarments

Examining Early 19th C. Long Stays II: Thread Analysis

Click here to read my previous post on the Fiber/Fabric Analysis of these stays.

Thread morphology is made up of multiple aspects that can be analyzed: fiber, number of plies and cords, direction of spin for a ply, and direction of twist (the direction individual and multiple plies are twisted together). On non-historical threads one can also easily measure degree of spin/twist and the size of the thread (which can be measured as tex, denier, or by using commercial sizing).

From Britannica.com

Spin/Twist can be in the S or Z direction, as shown in the diagram below.

From Britannica.com

Fibers

I couldn’t safely take a sample of the threads used in sewing the seams, but I was able to get samples from the sewing thread used to stitch the piping channels and the embroidery.

Piping channels:

Sewing thread for piping channels, 100x, photomicrograph by author.

Embroidery:

Embroidery thread, 100x, photomicrograph by author.

Both turned out to be silk, which is common for decorative stitching, so no surprises there, only that it had held up so well over the years. Silk degrades more readily in light than the other natural fibers.


Ply/Spin Direction

Embroidery and sewing threads at the back, also two rows of modern stitching. Photo by author.

Determining information on number plies and their spin direction typically requires unwinding the thread unless it is a 1-ply. There wasn’t a place which it would have been ethically appropriate to do so, so I zoomed in on my photos to see what I could see. The embroidery thread is at least a 2-ply, with an S-twist and the piping channel threads look as though they might have the same makeup.

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